The First Hour

Few gaming series have changed as much as Castlevania.  What started off as an action platformer evolved into an exploration focused action RPG with the release of Symphony of the Night, a genre which has been dubbed “Metroidvania.”  This style for the series wouldn’t be seen again for several years until it hit the most unlikely of platforms: the Game Boy Advance.  Handheld gaming rekindled interest in the series, and since Circle of the Moon in 2001, six handheld Castlevania titles have been released.  Dawn of Sorrow is the first one for the DS, and is a direct sequel to the final GBA Castlevania game.  Since these games are rather short and focus heavily on post game content and speed runs, I’ve decided to do a half hour review.  This has nothing to do with the fact that Dragon Quest IX comes out this week and I’d rather play that than write.  Nothing at all!

Fanboy is a column about gaming what-ifs, hopes, dreams, and the inevitable realization that we will probably never get what we want.  But it’s always fun to speculate!

In April, Capcom shocked the world by announcing the sequel we all wanted but never thought we’d see: Marvel vs. Capcom 3.  The Vs. Capcom series is always filled with surprises: another recent one is releasing Tatsunoko vs. Capcom in the America, which many thought would be a licensing nightmare.  Capcom has crossed paths and punches with four companies: comic book titan Marvel, legendary Japanese animation studio Tatsunoko, fighting game rival SNK, and even Namco in a Japanese-only RPG.  But what other companies should Capcom square off against?  Here are five that I’d like to see.  Keep in mind, I hope for all of these to be fighting games (sorry Namco x Capcom).

Those of us who play a lot of video games know the power that music brings to them.  We all have our favorite classic tunes, and we know the feeling of hearing a great piece of music while playing a game.  Personally I am a huge fan of game music, listening to soundtracks and remixes of soundtracks in my everyday life.

Video Games Live is a show designed to bring the joys of video game music to the greater public.  The show consists of an orchestra playing music from games while footage from the game plays on big screens, accompanied by a light show and sometimes stage antics.

Last week I had the privilege of attending this show.  For those of you who are stalking me online, let's just get this out of the way.  I live in New Orleans, Louisiana, and the show was just outside the city April 1st.

Now for those of you who listen to the podcast, you will know that myself and one of our other writers, Michael T, were planning on attending the show in February but it was canceled.  Although we're still not completely sure why, they rescheduled it at a different venue about six weeks later.

Captain N: The Game Master was a animated television series that aired for three seasons in the late 80's and early 90's. It was set in an imagined Nintendo universe, where most of the major Nintendo games along with a few games from third-parties come together to fight evil. While they made over 30 episodes, four from the first season were available for instant streaming over Netflix so I took the opportunity to check them out. If the rest of the series is anything like the four I watched (Kevin in Videoland, Mr. and Mrs. Mother Brain, Videolympics, Mega Trouble for Megaland), then I don't think I'll be continuing on. It's an interesting premise though, and the following is simply some random thoughts about the episodes I watched.

The first game in my new review series is Castlevania: Harmony of Dissonance. The second Game Boy Advance Castlevania game and the third with Metroidvania style of gameplay (the first being Symphony of the Night, which I reviewed on The First Hour a week ago). The game was released in 2002 and then re-released again in the Castlevania Double Pack to reach a larger audience (as the first release of this game and the next had rather small releases). This is how I was able to play it for the first time, and being a huge fan of this style of gameplay, was very excited to play it. Let's see at how it panned out, all scores are out of 10.

Symphony of the Night is known by Castlevania fans as the definitive game in the series. I personally see it as the turning point from when the series went from tired and mediocre to awesome and addictive. The catch is, I had never played Symphony of the Night! I own every single portable Castlevania released for the GBA and DS (and 100% them all), but I have never played the pivotal game, until now. Did Konami have any idea what they had when they released this game (probably not)? Does the experience live up to the hype? Well, a Night virgin is about to find out.