I don't know why I've bothered registering my games with Club
Nintendo these past five years. So many surveys and registration codes,
and what have I received in return? A couple calendars, an LCD relic,
and a set of collectors' pins. It's downright sad next to the free
eReader that Sony sent me.
But times have changed, and this is the new, modern Nintendo! The bold new Nintendo of 2012 not only releases limited-availability demos and supports paid DLC, it actually puts up some worthwhile prizes for Club Nintendo members. Specifically, Club Nintendo now offers a small selection of downloadable games in exchange for the coins that you earn by registering Nintendo products. First party games only, but hey, baby steps.
Fluidity, a WiiWare title of some renown (called Hydroventure in Europe), was one of the games available in December for a fair 150 coins (it's no longer there, but you can only get it on the Wii Shop Channel for $12). The game received positive press and has whiffs of Metroidvania and fluid dynamics puzzles, so that sounds like a winner to me. I've played an hour: am I happy with the coins I spent, or should I have gone for the Mario Folder and Bookmark Set instead? I'd be the coolest kid in homeroom with those folders...
Don't look now, but it's been nine months since reams of personal info and credit card numbers were stolen in the the Great PlayStation Network Hacking. Seeing as how I don't have any suspicious charges to my credit card, I think I can breathe easy. And hey, I got a couple of free games out of Sony's negligence!
One of the games I received in exchange for the breach of my security was Dead Nation, yet another zombie game with "Dead" in the title. I think we're all a little tired of the undead scene, but I don't see this "fad" fizzling out for a long while. So let's not whine too much and enjoy the good that comes of it before we can move on to the next craze (cowboys, maybe?).
A twin-stick shooter with online co-op and flashlights-in-the-dark scares, Dead Nation might be a nice change of pace from the neon insanity of Geometry Wars and other giants of the genre. An hour of blasting reanimated corpses into bloody gobs later, I'm ready to say that the game is good. How good? This good.
In 2010, I played 73 games. That's a lot of games. Probably too many games. I was pretty sure I would never play that many games ever again.
In 2011, I played 84 games. That's more games that I played in 2010, the year in which I played too many games, probably.
In this edition of my annual gaming inventory, I'll note how many hours I spent with each game, what progress I made, and whether or not I'll come back to the game in the future. I post this knowing that someday, years from now, it will be used in an intervention regarding my time management skills and/or life priorities. I'll be too busy playing Ultimate Angry Birds vs. Capcom to listen to my concerned friends and loved ones, though.
Upon starting Super Mario 3D Land, I was placing internal bets on whether the game would be filed with the 2D or the 3D Mario experiences. Miyamoto and the team say they combined the approachability of 2D Mario with the freedom of the third dimension, but one of the two styles must win out, right?
Exactly fourteen hours of playtime later, the answer still eludes me. There's bits of Super Mario Galaxy and pieces of New Super Mario Bros in the game, and it leans heavily towards the former. What's keeping me from committing 3D Land to the 2D Mario pile is all the Sonic Adventure mucking things up.
Despite the disappointment, elation, and outright disdain that those three names likely bring up, they ultimately mean little for the actual quality of the game. It would be difficult to argue that Super Mario 3D Land is anything other than the Nintendo 3DS' most compelling purchase to date. But it's also the first Mario title in several years that I can't just rave about.
The lasting impression from my recent introduction to the original
Legend of Zelda was its unstructured progression. With only a ghost of a
narrative driving the action and few barriers to limit wanderlust, the
course of my trip through Hyrule was almost entirely up to me. Having played Ocarina of
Time before any other Zelda game, I was surprised to see just how
hands-off the original was.
In contrast, last month's Skyward Sword may be the most linear Zelda experience yet. The newest quest sees Link flying from one compact landmass to the next with hardly any room for side trips. The vast sky of islands is sparser than Wind Waker's nearly endless ocean, and even the surface world below is but three masses of land separated by impenetrable mountain ranges and deserts and forests. This is a Zelda where the path to the next waypoint is often the only path.
Every game in the series since the eighties original has trended towards structure and direction as story progression and ability acquisition gained a greater share of the Zelda spirit. Aesthetic similarities and recurring tropes aside, The Legend of Zelda and Skyward Sword could be mistaken for two wholly separate franchises. For better or worse, Skyward Sword feels like the end state of a slow evolution that Nintendo has been cooking for twenty-five years.
I considered trading down my DS Lite for a DS Phat because I preferred
the clicky buttons of the latter. I refuse to play fighting games with a
360 pad (and only tolerate doing so with a PlayStation controller). I
spent hours fiddling with bluetooth options and buggy amateur programs
just so I could play Super Meat Boy on my MacBook with a Wii remote.
Controllers matter to me. A lot.
Though some are preferable to others, no controller is quite perfect. But that's only because nobody asked ME how to design the perfect controller! Instead of waiting around to be contacted by some very smart hardware developer, I figured I might as well lay out a near-perfect pad by stealing the best bits and buttons from controllers past.
I give you: The Frankencontroller.
Five hundred dollars is a good chunk of cash. That's a few car payments.
It's a cool TV on Black Friday. It may be enough Taco Bell to last a
lifetime (shortened by all that Taco Bell). It's also what I paid on
video game rentals in the last two and a half years.
"Wow," you shriek, "$500 is a lot of money to rent games!" You're right, Obvious Banshee, and that's why I'm dropping my GameFly subscription (temporarily, at least). I've got other expenses to consider, other pastimes to enjoy, and a backlog of neglected games to play, so I think I'll give my wallet a break and go without.
But whether or not I ever re-up with the service, I got my money's worth in my 30 month GameFly period. It can actually be a frugal choice for the eclectic video game enthusiast.
Nintendo takes a lot of crap for its reluctance to provide even
rudimentary online features, and rightfully so. But I have to admit, I'm
a big fan of the Virtual Console service on Wii and 3DS. The
convenience of having Super Mario Bros 3, Super Mario World, and Super
Mario 64 all in the same tiny system was too much for me to ignore: I
happily bought them all even while their systems and cartridges were
mere feet away from my TV.
It's more rewarding, though, to discover classics that I missed out on as a kid. One such game was Shinobi III: Return of the Ninja Master. Though I owned a Genesis as a kid, all I ever played were Sonic games. Cutting through the excellent ninja sidescroller via the Wii's emulation service, I felt as though I'd rectified a childhood oversight.
Retro revivals are all the rage, and Shinobi's getting in on the action on 3DS. The new game is a prequel, simply called "Shinobi" in accordance with the entertainment industry's efforts to confound posterity by recycling the same titles over and over again. Judging from the low poly character models, I actually suspect Shinobi 3DS actually began development on Nintendo's last generation DS and was hastily upgraded. But hey, it's not the visuals that matter to me, it's the tough-but-fair sidescrolling action. Let's see if that's still intact.
With so many Legend of Zelda re-releases in 2011, I've had several
excuses to reacquaint myself with the series for the last six months. I
awakened Link for the first time, replayed bits of the first Zelda game I
ever experienced, tried out a solo retrofit of the franchise's
multiplayer experiment, and even charted my way through the legend that
begot legends. For me, 2011 has been the year of Zelda.
Through this trip back through time, I've reevaluated my regard for Nintendo's beloved adventure franchise, and just in time for the newest iteration. Skyward Sword, at a glance, looks like just another Zelda, which is enough for most fans but insufficient for me. On top of that, the game boasts a distinct watercolor style, a sky/land dichotomy, and what appears to be an origin story for many of the franchise's trademark elements.
What has me excited is the motion-controlled combat. I loved the MotionPlus combat in Red Steel 2, and Skyward Sword uses the gyroscope add-on to provide needed nuance to Zelda's normally dull swordplay. Comparisons to Punch Out's puzzle-like duels have me salivating all the more.
Unfortunately, I didn't get to experience much of that in Skyward Sword's opening sixty. That's disheartening enough, but Skyward Sword doesn't stop at mere disappointment...the game outright insults me. Take a look:
Nintendo likes to think that the Mario series is a good gateway into
this hobby. To its credit, the original Super Mario Bros alone is
responsible for millions of current video game enthusiasts (myself
included). Even today, I've witnessed the welcoming effect that games
like New Super Mario Bros and casual-friendly spinoffs like Mario Party
have on those who rarely touch games.
There's one segment of Mario's work that is an exception, far out of beginners' reach: Super Mario 64 and its successors in the same 3D platforming vein are not for newbies. I thought otherwise before I observed a friend floundering through the opening stage of Super Mario Galaxy for nearly an hour, steaming with frustration all the way. He can wind his way around a Mario Kart course. He outwitted GLaDOS at his own slow, careful pace. He even made admirable progress in Ninja Gaiden Sigma (on easy mode, yes, but Ninja Gaiden all the same). And yet, Mario's least-demanding 3D outing was far too much for him.
Nintendo sees this and offers Super Mario 3D Land. Borrowing aesthetics and rules from the NES games that birthed millions of today's gamers, the first Mario game for Nintendo's 3DS aims to nosedive the barrier of entry. That's a tall task in and of itself, but I'm more concerned that all this catering to beginners will diminish the things I love about 3D Mario: 64's complex and joyful movements, Sunshine's sprawling, layered environments, and Galaxy's inventive scenarios. Novices can work their way up to 3D Mario like I did, so don't deprive me of the next Super Mario 64 for their sake! What can I say? I'm selfish.
But Nintendo has earned my faith when it comes to Mario, so I start the game wary but eager.