The First Hour

One of the more common complaints you'll hear from Nintendo ex-fans is that the Big N hasn't made any new franchises in a very long time. For evidence, critics often point to Super Smash Bros. Brawl, the game that has become a showcase for iconic Nintendo characters past and present, and correctly note that none of the game's playable characters are from a franchise created after 2001's Pikmin. You'd think the one game that celebrates the whole history of Nintendo's creations would put some recent stars at the forefront, and yet there are none.

There's a point to be made there, but I don't think it's that Nintendo isn't creating new experiences. Nintendo has been delivering unique titles all along, but skinning them with familiar faces in an effort to grab the mass-market that buys based on brand name alone. It's a practice that probably went into full swing after the amazing success of Super Mario Kart, a racing game that could have been released with the image of any other combat-focused racer and nobody would have ever thought to liken it to the Super Mario series. Nintendo found a way to make the racing formula mesh with a beloved franchise and exploited the mustached plumber's image for instant brand recognition on a whole new product. It wasn't long before every Nintendo character became a pitchman: the ever-adaptable Kirby was a given, and other Mario-verse mascots like Yoshi and Wario weren't stretches either, but even seemingly untouchable characters like Samus and Link are now lending their images to genres that only vaguely fit into their traditional roles.

Enter DK: King of Swing on the Game Boy Advance in 2005. The game could be categorized as a platformer, but the focus on running and jumping had shifted to climbing and swinging, using the system's shoulder buttons. King of Swing received enough positive reviews and sales to spawn a sequel, DK: Jungle Climber, for the Nintendo DS in 2007. Like many hardcore gamers, this game launched well under my radar, but I recently gave the game a shot. Is the stigma of a spinoff warranted, or will I see something new underneath the same old monkey business?

Broken Sword is not a new game. In fact, it was released back in 1996, a year so far gone that I barely remember anything about it. I know I did not experience Broken Sword then or even heard of it; I was just a lad with a PlayStation and a little RPG called Suikoden to occupy my time. Broken Sword only existed in my mainframe later on as a cult thing, something people talked about playing, but were never caught playing. I later played other point-and-click games like Maniac Mansion: Day of the Tentacle and Escape from Monkey Island yet never got to try this “classic.” Then I discovered it in my mother’s DS collection (yes, she plays) a few weeks back and found my chance to try it out for the very first time, some 14 years later. And this is the Director’s Cut which, I guess, means something.

As it’s a story-heavy Nintendo DS game, this is only a half-hour review. I hope it hits all the points and really clicks! Um, I apologize for that…I know it was a stretch.

It seems I've been on a bit of a Treasure fix lately. Last month, I finally got around to playing Gunstar Heroes, the first Virtual Console game I bought back in 2006 and Treasure's very first game. The Genesis cult classic set the niche developer's tone by throwing unprecedented amounts of enemies and projectiles at the player from start to finish. A few weeks ago, I tried out the VC release of N64 import darling Sin & Punishment, which warmed the heart of this old Star Fox 64 veteran. I've also begun playing that game's recent Wii sequel, Sin & Punishment: Star Successor, and should have my thoughts on that title up soon.

But today's subject is Bangai-O Spirits, a critically-praised title that didn't sell very much (as expected), though chalk up one more sale for Treasure: the $8.75 price tag on Amazon was an offer I couldn't refuse. This 2008 DS title is a sequel of sorts to the Dreamcast's Bangai-O (and its lesser-known, Japanese-exclusive N64 counterpart). True to Treasure's modus operandi, Bangai-O Spirits challenges the player to battle through 150+ stages filled with overwhelming swarms of enemy missiles and bullets on-screen. The game also features two- to four-player wireless cooperative and competitive battles and a robust set of stage editing and sharing features.

Treasure is a company known for making difficult games, and Bangai-O is noted as one of the developer's tougher titles. There's no question I'll crash and burn in my first thirty minutes with Bangai-O Spirits, but will I emerge from the wreckage seething or satisfied?

For years, Japan was the dominating force in the games industry. Ever since Nintendo blasted onto the scene in the eighties, it's always been my opinion that the developers in the land of the rising sun have had the edge on everyone else. The Atari age has long since given way to names like Nintendo, Sega, Sony, Capcom, Konami, Square, and so many others. If I made a list of my hundred favorite games, I'd be willing to bet that seventy or more of them come from Japan.

These days, however, the tide has shifted. The worldwide yearning for platformers and action games and traditional RPGs has been eclipsed by the first person shooter and sports game markets, two genres that Japanese developers are woefully unfamiliar with. Only the top games in each genre outside of Halo clones and Madden wannabes can make bank anymore, and developers are starting to play it safe with what they bring to the table. One genre affected by this trend is the JRPG, which has always had a focus in Japan, but also branched out to the world stage more often than not. These days, however, it seems Japan's favorite genre seems to be transforming more and more into Japan's shyest genre, rarely coming out to say hi to the rest of us.

In a rather shocking revelation, I've actually managed to find a hearty list of JRPGs that I pine for. I've never been the genre's biggest supporter, which doesn't surprise me in retrospect considering I never owned a SNES, Playstation, or Playstation 2 during their primes. However, I hereby pledge to buy any of the following games that come to America. I said the same thing about Tatsunoko vs. Capcom, thinking it would have no chance of arriving; I made good on my promise, bought TvC: Ultimate All Stars, and loved it. So it's on you now, localization teams. Make it happen.

I can't name a lot of puzzle games I've honestly enjoyed.  Tetris Attack, the Professor Layton series if those count, World of Goo?  As you can tell I'm not a huge fan of the genre.  I might play a puzzle game for a few rounds before I become bored, but Picross 3D was different, really different.  I've already managed to beat over 200 levels and was becoming so obsessed with the game I was carrying my DS to work in case the opportunity came up over lunch.

Picross 3D is not a typical puzzle game, it's slow moving and requires a lot of careful thought.  There is little guessing involved and it does an excellent job of driving you on from puzzle to puzzle.  As someone who had never played a Picross game before, I really had no idea what I was getting into until I read Nate's half hour review of the game.  The game is cheap though so there's little investment for a chance of tons of hours of gaming.  Plus it reminds me of my Kakuro obsession during my senior year of college.

Get ready for my shortest review ever!

No, I'm not really excited that it's another Rock Band game or even yet another LEGO game, but that LEGO Rock Band DS is essentially the direct sequel to Harmonix's original rhythm games: Frequency and Amplitude.  For the unfamiliar, Harmonix's first two games were essentially the precursor to Rock Band where you played multiple instruments, but the catch was you had to flip between instruments after successfully playing a few measures of another.  The gameplay was quite a bit more complex than Harmonix's original Guitar Hero games as there were multiple sets of scrolling notes that you had to keep an eye on to efficiently keep your streak going.

Few gaming series have changed as much as Castlevania.  What started off as an action platformer evolved into an exploration focused action RPG with the release of Symphony of the Night, a genre which has been dubbed “Metroidvania.”  This style for the series wouldn’t be seen again for several years until it hit the most unlikely of platforms: the Game Boy Advance.  Handheld gaming rekindled interest in the series, and since Circle of the Moon in 2001, six handheld Castlevania titles have been released.  Dawn of Sorrow is the first one for the DS, and is a direct sequel to the final GBA Castlevania game.  Since these games are rather short and focus heavily on post game content and speed runs, I’ve decided to do a half hour review.  This has nothing to do with the fact that Dragon Quest IX comes out this week and I’d rather play that than write.  Nothing at all!

When most people think of Dragon Ball, they think of energy blasts, non-stop fights against aliens, and dozens of episodes where the only thing happening is veins bulging. But once upon a time, Dragon Ball was a simple kung fu adventure show starring a kid with a monkey tail that was loosely-kinda-sorta-maybe based off of the classic Chinese tale “Journey to the West.” Dragon Ball: Origins takes us back to this simpler time before Goku was a demigod and every other thing wanted to blow up Earth, and delivers a solid adventure for old and new fans.

I’ve played every LEGO videogame made so far. Of all my videogames on the Xbox 360, only the LEGO games have the esteemed honor of having all their Achievements unlocked. I played them to completion as fast as possible, almost as if in a fever. If they made LEGO Schindler’s List, I’d probably play it. Same goes for LEGO Requiem for a Dream. The point I’m making here is that I love these games, and I’m twenty-six, and I’m not afraid to admit that they are just my cup of OCD tea.

Conversely, I’m also a huge Harry Potter fan. I’m one of those rare folks that actually read the first three books before the first movie came out and became a worldwide sensation. I had the sixth book spoiled for me on a Lord of the Rings TCG forum. I read the last book in less than 24 hours, locked up in my parents’ basement, only coming up once to eat dinner and not talk to anyone. The movies are hit or miss in my mind, but the world and characters and magic of it all is something I can’t get enough of. Neither can my fiancée. We’re getting married this October and heading to Universal Studios on our honeymoon to check out the Wizarding World of Harry Potter.

I’ve been excited about this merging of two great entities since I first read about it. I always expected the next universe to be LEGO-ized to be Spider-Man’s. My expectations are high, and after having played the demo that was recently released I have no fears that the first hour for LEGO Harry Potter: Years 1-4 will be anything but spectacular.

The “Pokemon fad” died about ten years ago, but the franchise is still as strong as ever as Diamond and Pearl sold over 17 million copies worldwide.  In order to satiate the appetite of rabid Pokemon fans anxiously awaiting the next generation of games (which were recently announced as Black and White), Nintendo decided to remake the second generation games, Gold and Silver.  Pokemon has changed a lot in the ten years since the release of Gold and Silver, but fortunately Nintendo has added every single innovation into the remake, along with a few new ones.