I first became aware of Dear Esther on the day it was released, as news passed that it recouped its Indie Fund investment in a mere six hours. Somehow, I entirely missed word of the game prior to that, but as I read more, I knew I had to play it. While it will take multiple playthroughs to obtain the game's full experience (due to semi-randomized dialogue), I came away a bit underwhelmed by the game. I normally eat up intentionally vague/confusing dialogue-based stories, but this story seems a bit more pedestrian than most (even if the vagueness fully makes sense within the story). But this in no way takes away from the game's other draw; its relentlessly gorgeous handcrafted visuals, with each frame packed in detail.
Fresh on the heels of the well-received The Blackwell Legacy arrives Blackwell Unbound. After playing and thoroughly enjoying the first for our Indie Impression feature, continuing was an inevitability. For reference, Legacy was released in 2006, and Unbound in 2007. There have since been two more releases in the semi-episodic series, so I'm still a bit behind. I am playing the re-released versions in the Blackwell Bundle, which offer improved voice acting as well as bug fixes and some extras. The Blackwell series (as well The Shivah) were primarily developed by Dave Gilbert and his studio, Wadjet Eye Games.
For ease of writing, I'm just going to assume that you don't mind to be aware of mild spoilers in the first act of the first game. After all, it's printed everywhere, including the covers of these very games. Essentially, the Blackwell series is about the generational history of this family who has been "blessed" to be mediums to the restless spirit world. In the case of the Blackwells, they have been assigned by the powers that be to a ghost detective named Joey Malone. He is forced to stay with his medium at all times and guide them towards restless ghosts in the world who have, for one reason or another, been unable to pass on into the afterlife.
During Legacy, we played as Rosangela, the newest medium in the Blackwell family. She has to fight through a bit of family history as well as her own personal weaknesses, before encountering her family's legacy. In Unbound, we travel back to her aunt, Lauren, who has already met and come to terms with Joey.
If someone tells you they're going to do a "reverse" something, odds are the result will be terrible. The concept sounds similarly cheesy for games, evoking memories of bad minigames and multiplayer modes. However, for some genres it actually could be a fresh take on the concept, and 11-Bit Studios tries to prove this with their "reverse tower defense" game, Anomaly: Warzone Earth. 11-Bit is a brand new developer out of Poland, powered by a small team of industry veterans. It appears that they've taken an independent mindset towards publishing and distributing, releasing Anomaly directly to Steam and the Mac Store. Thus far, they seem to be having a good deal of success and are proving capable in quickly porting their game to new platforms, including iOS, Kindle Fire (!) and an upcoming XBLA release.
Plants vs. Zombies is a game I've been eyeing for a while. It regularly tempted me at $10 Steam with even cheaper sale prices. This summer's sale finally put me over the edge. Every so
often you need some good tower defense action, and PvZ seemed like a unique yet highly praised take on the genre. Its cartoonish,
Popcap/flash feel and simple five-lane setup makes things perfect for
beginners. And it has enjoyed massive success over a huge variety of
platforms. Originating on PC, PvZ has since expanded to every modern
platform imaginable, both traditional and mobile. Popcap is undeniably a casual gaming powerhouse. The Bejeweled and Feeding
Frenzy creators certainly know how to make products and pricing that
clicks with the average consumer. They've been so successful that EA recently purchased the
company for ~$750 million.
For the most part, PvZ exemplifies this success. It creates a casual-friendly atmosphere with calculated progressive learning combined with enough longevity and a tad of optional difficulty to round out the complete package. The game starts slowly, at first holding your hand with only a couple plant options (towers) available to defend your house from a weak zombie horde on a completely barren level. With only five lanes to defend, beginners will learn quickly what it takes to operate. In case they make mistakes, the game includes a get-out-of-jail-free card, in the form of zombie-clearing machines that activate and clear the lane should a zombie make it past the plants. For a while, the game introduces a new plant on almost every level, encouraging the player to try them out and discover what they're worth. Soon enough, juggling several plant types on more obnoxious levels will be a requirement.
Very rarely do developers aim to make AAA PC exclusives anymore. As one
of the most well regarded action-rpgs in recent history and aided by
numerous recommendations, I felt it was my duty to try The Witcher. Its
developer, CD Projekt, is a Polish firm who's been translating and publishing PC games since the mid-90s. Recently they've been spending money to expand, opening up the RED STUDIO for game development and creating Good Old Games as a DRM-free retro gaming service for modern computers.
So far, only The Witcher and its sequel have been released by the studio, with Witcher coming out in October 2007 and Assassins of Kings hitting just two months ago (in May 2011). These projects are large in scope, using source material from a Polish novel series and brought to life by large development teams. The Witcher immediately brings a fresh start to the tale as our hero Geralt mysteriously reappears with amnesia, after apparently being killed by an angry mob. So let's see how this story goes. I'm playing the latest version, the Enhanced Edition Director's Cut.
As one of the forerunners of the modern indie game movement (along with Braid), World of Goo demands to be played. Created almost entirely by two individuals on a miniscule budget (2D Boy), it has since gone on to spawn several ports while receiving numerous accolades. I'm a bit late to this party, but its resumé speaks for itself. With incredibly high 90%+ aggregate scores, it has been universally praised as a near-flawless game. Greg has given it a similarly stellar 9/10. PC and Wii first claimed the game in October 2008, followed by OSX in November, Linux in early 2009 and iOS in 2010.
All that's left to do is try it out for myself, two-plus years after the fact. Could my personal thoughts and feelings for the game live up to its lofty accolades?
Not often will games come along and surprise you these days. In our age
of information, developers and publishers go to great lengths
to push their products. Specifically, they hope to get fans
hyped enough to buy the game day 1 as well as keeping the title in the
public mind for continued spontaneous purchases of their
product. This is why we're rarely surprised and blown away by a game.
For
me, VVVVVV was that type of game.
Alan Wake has been a long time coming. After Max Payne 2 released in
2003, Remedy has
used the majority of their resources for this game. Originally
announced in 2005, it
has naturally undergone significant revisions. Once a freeroaming
affair, Alan Wake is now almost entirely linear. Instead of releasing
on consoles
and PC, Remedy ended up partnering with Microsoft for an exclusive 360
release. As one would expect from a partnership, the game got bigger
and bigger and eventually ended up being a high-profile, big-budget
release when it finally hit in May 2010. Such a big game for a small
company would carry with it many risks and increasingly impatient
onlookers. Is the survival-horror tale worth the wait in the end?
Is the Alan Wake concept still relevant and contemporary enough several
years
later? Most importantly, is the game good and does it work? Let's take
a dive into the darkness...
Atmosphere. Danger. Environment. Expectation. These words are
integral to any sort of horror-based media, and yet many have
seemingly forgotten all about the reasons behind fear and instead rely on cheap tactics to do
the job. Penumbra: Overture shows a much more sophisticated ability to
keep players on edge without relying on grotesque visuals and cheap
'jump moments' to elicit responses. I was particularly curious as to
how this game could effect me since I'm not easily frightened and cheap attempts at fear usually seem more humorous
than scary. And overall, the game does a fairly good job at its goals.
Let me explain.
Overture almost takes advantage of those modern media shortcuts to create a fully engrossing experience with the capability to be legitimately frightening. As a response to these movies, shows, and games, your mind now expects something to happen when you travel down a dark hallway, into a new room, or when encountering an enemy. Instead, nothing typically happens in Penumbra. In fact, very little "happens" throughout the whole game. Almost all of the happenings and story events involve Phillip sorting out the past of his forgotten surroundings instead of building the story himself or primarily creating a story. At heart, Overture is a first-person adventure game, with the atmosphere as really the only major demarker to the survival-horror tag. I can recall only a handful of actual "events" Phillip was directly involved in. And yet this feels perfectly fine in the context of the game.
Welcome to another Audio-Visual Experience, brought to you by the
First Hour. Again, these articles are specially created and intended to
give you a varied, concrete experience of the game's sights and sounds
without having to actually play the game yourself. Whether you haven't
played the game or have already completed it but need a reminder or some
nostalgia, this experience is for you. However, if you think you may
play the game anytime in the near future and would prefer not to be
spoiled, you should probably avoid this article, as it contains direct
spoilers at times, up to and including the ending. For a complete first
hour experience, you can view the first hour of Penumbra: Overture.
So sit back and enjoy the stylings of survival horror masters Frictional Games in their original release, Penumbra: Overture.