The First Hour

If you were to ask me what game I was most excited for following the events of E3 2010, my answer, without a doubt, would have been Donkey Kong Country Returns. It's announcement marked the return of one of my favourite platforming franchises of my youth—and something I hadn't experienced in years. In the E3 trailer, I noticed the hairy ape brought back all of his signature abilities, plus a couple of new tricks. I saw old friends Diddy and—in later trailers—Rambi make a return. I saw vine swinging, barrel blasting, and mine carting. I saw banana grabbing, KONG letter finding, plus new items to collect. In fact, after seeing what I saw, to say I was excited would've been an understatement; I was overwhelmed with anxious anticipation; I couldn't wait to get my hairy paws on this game.

And now, the day was finally here; November 21, 2010. I woke up bright and early, refreshed, and ready for a full day of barrel blasting, ground pounding, tiki crushing fun. I set out and purchased the game at a local EB Games outlet about one minute after opening. I was their first customer. I rushed home, popped open the case, threw the disc into the Wii, and fired it up–all the while singing the DK Rap in my excitement (I wish I was joking).

The game features two control options–Wiimote plus nunchuck, and classic Wiimote. I choose the classic style and begin my session...

It's Thanksgiving in the U.S., and that means we take a look at our lives and consider the things we are thankful for. Family, food, and shelter immediately spring to mind when surrounded by them on this day, and then we think about friends and the time we spend together. And as gamers, nothing bring friends together better than a few good multiplayer video games.

I'd like to take a quick moment to talk about some of my favorite multiplayer games over the years and how they brought my friends together on a Friday night better than anything else.

Hope you're having a great holiday, be safe!

Since I built my new PC in October, I've been playing games that I had not had a chance to in quite some time. My brother in law had come into ownership of a few games I had really wanted to play, and while in the mess of mediocrity, one game stood out as a gem that ended up sucking my time away. That game was Dragon Age: Origins.

Let me begin this review by saying I am a big fan of Bioware fantasy RPGs. I loved Baldurs Gate, Icewind Dale, and Neverwinter Nights. I love the DND based RPGs. These types of games, these fantasy RPGs with choices are fantastic and end up taking hours away.

However, despite me loving these past titles, I never finished a single one. I always ended up failing to complete the main story line, so when I installed Dragon Age, I was worried I wouldn't finish it.

Dragon Age: Origins was released by Bioware, the makers of Mass Effect, on November 3rd, 2009. It was well received, and it was announced months ago that Dragon Age 2 would be released in March, 2011. It's the first time Bioware has made a fantasy RPG that does not include DND rules. Many people were upset at this, but honestly, the DND elements are still there. You can still intimidate or persuade folks, or randomly kill them in conversation, making for some hilarious conversations.

Hi everybody. My name is Nate, and I'm a disgruntled Sonic fan.

I was five years old when my dad brought home a Sega Genesis with Sonic the Hedgehog 2. That game was like catnip to me: its lightning speed, vibrant colors, and catchy soundtrack were all I could think about through elementary school. The only reason I put down Sonic 2 for good was my migration to its sequel duo, Sonic 3 & Knuckles. Catnip was now crack: I was hooked for life. I loved the game then, but it wasn't until years later that I realized the genius of S3&K. The sprawling, interconnected stage designs were like races on the playground: your goal was to get from one end to the other, but you could do so in dozens of unique ways. I still play the game annually, and even after so many trips from the beach of Angel Island to the Death Egg in outer space, I can still find new secrets by experimenting with the physics and stage design in ways I hadn't thought of before.

Fast forward to the launch of the Dreamcast, when Sonic Adventure started a new era for for the blue blur. New playable characters, new gameplay modes, cutscenes and spoken dialogue...all in 3-D, of course. And while the addition of a dimension provided the potential for even more spacious stages, the final product was a far more restricted affair than its 2-D predecessors. Gone were the intermingling tunnels and paths, replaced by a string of land strips that were suspended over an endless chasm. I dug the thrilling dashes through those corridors for a while, but I now I only realize how many flaws I overlooked in those days when I replay Sonic Adventure, its sequel, and its successors.

It's been over a decade since the franchise changed course, and while Sega recently made an attempt to recapture the Genesis style, I just don't see the same brilliance in Sonic the Hedgehog 4 that made its prequels so timeless. On the other hand, 3-D Sonic's roller coaster runs have been tampered with throughout the years -- rarely for the better -- and the most recent experiment is Sonic Colors. It sure doesn't appear to be what I want from a Sonic game, but I'll admit that it looks like a huge improvement over the rest of the Adventure-spawn. I decided to give it a chance, something I swore I wouldn't do after Sonic's Arabian Nights-inspired adventure broke the camel's back. Was my change of heart warranted, or am I simply a glutton for punishment?

Attendees of the 2010 Electronic Entertainment Expo were witness to many exciting announcements on June 15th during Nintendo’s press conference—one of them being the highly awaited return of Kirby to home consoles. This would mark Kirby’s first appearance on a home console since 2003’s Kirby Air Ride for the Gamecube, and his first platforming adventure since 2000’s Kirby 64: The Crystal Shards. It clearly had a lot to live up to. But alongside roaring applause, the announcement was met with many raised eyebrows regarding our pink hero’s return—for he had undergone a change the likes of which a Nintendo mascot hasn’t seen since Paper Mario. Kirby was made of yarn. Yes, yarn. And his new game, Kirby’s Epic Yarn, would see him battle across a world of felt and fabric against a new foe, and with a new friend. Nevertheless, everyone was excited and anxiously awaiting its release. So, did Nintendo weave the world a masterpiece (yes, I just said that)?

Editor's Note: If you're interested to see how Kirby's Epic Yarn starts, check out Nate's first hour review of the game (and his overall conclusions at the end of the article).

As sports games trend towards delivering a true-to-life experience to players, the systems and stats behind the play system are becoming increasingly complex. The result, I've found, is a genre that is taking more control out of the player's hand and giving it to the CPU in order to keep a Cowboys/Steelers matchup in Madden from turning into an 79-3 blowout, a rather common outcome when I was playing NFL '95 on the Genesis. I can appreciate the effort to mimic the pro league norm, but I can't help but feel a bit cheated when I can do everything right in NBA Live and not go 82-0 on the season.

Oddly enough, this devotion to believability and authenticity has driven me away from the sports game genre in recent years, though I still take time to play EA's NHL series now and then. Still, I've found that I'm more interested in the peripheral modes and features than I am in the standard game options. Running simulations of season and playoff matches has become commonplace, and it is quite impressive to see just how believable the outcomes are, barring the last season sim I completed that resulted in the Columbus Blue Jackets winning the Stanley Cup with a 16-2 record in the playoffs. That's a little much to expect from a team that has only one winning season in its existence.

We're now almost a quarter of the way through the 2010-2011 NHL Season, and I've been waiting to run a simulation for the site since NHL 11 came out in September. Unfortunately for me, it took EA nearly two months to release a roster update that actually reflected accurate rosters for the season. Then it took them another week to fix it. Anyway, it's time to place some bets, people: here are your 100% guaranteed* results for the 2010-2011 NHL Season.

* results guaranteed to be incorrect

Atmosphere. Danger. Environment. Expectation. These words are integral to any sort of horror-based media, and yet many have seemingly forgotten all about the reasons behind fear and instead rely on cheap tactics to do the job. Penumbra: Overture shows a much more sophisticated ability to keep players on edge without relying on grotesque visuals and cheap 'jump moments' to elicit responses. I was particularly curious as to how this game could effect me since I'm not easily frightened and cheap attempts at fear usually seem more humorous than scary. And overall, the game does a fairly good job at its goals. Let me explain.

Overture almost takes advantage of those modern media shortcuts to create a fully engrossing experience with the capability to be legitimately frightening. As a response to these movies, shows, and games, your mind now expects something to happen when you travel down a dark hallway, into a new room, or when encountering an enemy. Instead, nothing typically happens in Penumbra. In fact, very little "happens" throughout the whole game. Almost all of the happenings and story events involve Phillip sorting out the past of his forgotten surroundings instead of building the story himself or primarily creating a story. At heart, Overture is a first-person adventure game, with the atmosphere as really the only major demarker to the survival-horror tag. I can recall only a handful of actual "events" Phillip was directly involved in. And yet this feels perfectly fine in the context of the game.

The PlayStation Move’s release came and went without a single person I know picking a package up. Kinect was released, and again, nobody I know actually bought one. Well, except for one of my coworkers, who excitedly picked it up on launch weekend and then held a LAN party this last weekend. The two events are completely independent of each other, however. His friends at the LAN party were more interested in playing Warzone 2100 and setting up E.V.E. servers than moving their bodies in the living room, but knowing he owned a Kinect actually got me really excited.

Kinect isn’t something I actually want, or it wasn’t, at least. I like lounging about when playing games and the thought of relaxing after a day of work by running and jumping around sounds awful. But from the moment I saw Harmonix’s Dance Central back at E3, I’ll admit I was curious. As the games of Red Alert 3 broke up, I wandered upstairs with a few other guys to try out Kinect. They immediately popped in Kinect Sports, which turned out exactly as I had expected: a ripoff of Wii Sports, Wii Play, and Wii Sports Resort. Not that this was a bad thing, and while some of the mini-games were pretty fun, the whole experience just screamed “gimmicky!”

And then we put in Dance Central, and everything changed. Harmonix is the best music game developer out there, so I had confidence that if anyone could pull off a dancing game, it would be them. This is not a traditional first hour review with minute-by-minute updates, but I hope you still find it informative and entertaining.

The original Sin & Punishment was released in late 2000 for the N64. Due to developer Treasure's cancellation of its North American release, the game never made it outside of Japan until its rerelease for the Wii's Virtual Console seven years later. Its success, combined with the prospect of creating an all new experience utilizing the Wii's motion controls prompted the Treasure team to make a sequel; Sin & Punishment: Star Successor.

Control in Star Successor is done via the Wii Remote and Nunchuck by default. Motion controls are implemented perfectly, allowing for smooth, precise targeting, though I found my wrist getting strained after long periods (there's a joke in there somewhere). You can also use the Classic Controller, GameCube Controller, or Wii Zapper, but I feel the standard setup works best.

Editor's Note: Sin & Punishment: Star Successor is Jonathan's second review here at The First Hour. This review was previously posted at IGN and Destructoid. Nate has previously written a first hour review of the game also.

If you pay attention to the development timeline, there are some clues you can pick out that may hint at a flawed final product. If the game changes platforms mid-way through development, that should send up a warning signal. If it does so more than once, that's probably an impending disappointment. If some lead developer leaves the team shortly before it's finished, that's another. And the developing company goes under before the game hits the shelves, that's something worth considering as well.

But the easiest way to spot a troubled game is by the dearth of information preceding its release. Goldeneye 007 for the Wii was heralded as the second coming of the N64 classic at this year's E3. On the other hand, its Nintendo DS counterpart was quietly announced alongside it at E3 and unceremoniously released on the same day last week. I made an extra effort to look for details of and screenshots from the Nintendo DS game, but had a very tough time finding anything of substance.

Curious, but with low expectations, I rented the spy-sized DS game card from GameFly. I mean, it's still Goldeneye, right? And the Wii version seems to have plenty of polish, so why shouldn't its DS counterpart? I've spent thirty minutes with the game. Is it an undercover success or a dirty little secret?