It was four minutes into Tales of Graces f that I met the amnesiac with the impossible purple pigtails. She didn't know who she was, or where she came from, or anything really. She was a deadly martial artist, but nearly walked right off a cliff. Later she asked the meaning of the word "friend." I threw up in my mouth a little and realized that Graces f would be a tale quickly forgotten. In hindsight, I guess the cover art should have served as warning.
But if the whole game boiled down to waiting for the kid in the Elvis getup to realize that the king is possessed by a demon, I wouldn't have played it for almost ninety hours. Yes, a lot of time is wasted running errands through copy-paste corridors while the characters say how they feel and explain magical jargon. But then you run into a giant spider, and the kids' anime story melts away for a few seconds of glorious battle.
I'll even say that Tales of Graces f has my favorite RPG combat, taking the crown from predecessor Tales of Symphonia. Graces f layers new abilities and limitations onto Symphonia's melee-and-magic arena skirmishes, and the end result is a more dynamic structure that makes earlier games in the series look like button mashing. It's also complicated as hell.
This console generation will probably be well remembered for the rise of downloadable content. In an era where publishers whine about used game sales, they certainly found one of the most effective ways to further their profits. Whether it’s armor for your horse, patches that turn burlesque breasts tassel-less, or multiple hours worth of new content, DLC is here to stay.
I generally have little problem with it, most of the time I pass, especially when I pick up games used for cheap and I have to spend more on the DLC than the actual game itself. But I’ve also bought some quality downloads that are worth the money. I begin to have issues with it when a game is advertised in such a way that you expect that content to be there in the first place.
Take Batman: Arkham City, an excellent game starring the caped crusader. When Game Informer featured the title on its cover, we got an artsy and sexy preview for it with Catwoman right alongside Batman. That pairing, however, is not guaranteed for all owners of the game. Here’s my review of the Catwoman DLC in Batman: Arkham City.
I've been anticipating Ghost Trick: Phantom Detective for a while now. As a big fan (but totally burned out) of the Ace Attorney series, I was excited for Phoenix Wright's creator's next vision. It's an odd one, that's for sure, but holds on to the humor, great cast of characters, and overwhelming charm that made the Ace Attorney series so great.
In Ghost Trick, you unsurprisingly play as a ghost. The idea is you can manipulate objects from the ghostly dimension to save people's lives and ultimately, find out who you are and why you were killed. The Phoenix Wright-like mystery is present throughout the game and many of the questions aren't answered until the last action is taken, but it's a fun and original ride all the way there.
Phantom Detective shouldn't be a game that can be explained easily, but its first half-hour managed to do a pretty bang-up job. Check that out for an early walkthrough of all the concepts and in-depth gameplay elements the game explains to you quickly and efficiently.